// good to know · production

The Only Plugins a New Producer Actually Needs

By Galactrex · May 16, 2026 · 6 min read

New producers spend their first year collecting plugins. We did too. The truth we wish someone had told us is that you do not need 200 plugins. You need a handful you actually understand, and most of them are free or already in your DAW. Here is the short list we would hand someone starting out, and what each one is really for.

//One synth you commit to

Serum · imageofficial asset · xferrecords
Serum
Xfer Records · Wavetable synth
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Pick one capable synth and learn it deeply instead of owning ten you poke at. Serum is the one we point people to because the visual feedback teaches you what is happening to the sound. If money is tight, Vital is free and covers most of the same ground. Either way, the win comes from sticking with one long enough to build instinct.

//One EQ you trust

Pro-Q 3 · imageofficial asset · fabfilter
Pro-Q 3
FabFilter · Equalizer
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EQ is the most used tool in any mix. A clean EQ with a clear display does most of the heavy lifting: cutting mud, making room, adding air. Pro-Q 3 is our daily driver, but your DAW stock EQ is genuinely fine to start. The skill matters more than the brand here.

//A compressor and a limiter

These usually come stock with your DAW, and the stock ones are good. A compressor controls dynamics so a part sits steady in the mix. A limiter catches peaks and sets your final loudness. You do not need a boutique compressor in year one. You need to understand attack, release, ratio, and threshold on the one you already have.

//A reverb and a delay

Space and depth. Almost every DAW ships a usable reverb and delay. Valhalla Supermassive is free, sounds great, and will cover you for a long time. The trick is using less than feels right, not buying a fancier one.

//One free multiband to learn movement

OTT · imageofficial asset · xferrecords
OTT
Xfer Records · Multiband compressor (free)
Site →
OTT is free and it teaches you what multiband compression does to a sound. Used lightly it adds clarity and movement. Used heavily it becomes a sound design tool. Either way it is worth having early.

//What to skip for now

Skip the analog emulation bundles, the vintage console strips, and the giant sample libraries. They are great later, when you can hear what they add. Early on they are a distraction that lets you avoid the real work, which is learning to hear and learning to finish songs.

The producers who improve fastest are not the ones with the biggest plugin folder. They are the ones who know their small set cold and spend the saved time making music.

// made something with this?

Galactrex Records signs from demos, and the inbox is open. If you built something you are proud of, we want to hear it.

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